When I was first getting into solitaire boardgames a few years ago I kept hearing that one of the best of them all was Ambush! from Victory Games, so I dutifully tracked it down, set it up on the table, and after playing one mission decided it wasn’t for me.
Boy, did I miss the ball on that one. I think the reason I didn’t appreciate it was because I hadn’t ever been exposed to heavier boardgames, and I didn’t give myself a chance to get used to the play. Now that I’ve been getting into more and more detailed tactical games, I got to questioning my earlier judgment that Ambush! had been fiddly and tedious. Chris Hocking, whose taste I agree with upwards of 95% of the time, kept telling me it was a great game and how he couldn’t believe I hadn’t liked it.
I found myself in the middle of a shelf purge of games I wouldn’t be playing anymore, and with that gaming cash in the ‘ol e-wallet chanced to mention to a gamer I sold one of the games to that I wanted to track down Ambush! again. He had the game and most of its expansions and happily sold them to me. They’re just in fantastic shape (thanks, Glen!). You see, Ambush! has been out of print since some time in the ’80s and it’s unlikely it will ever be reprinted, so the used market is the only place to acquire it. Read More
I was the lead writer on Lock ‘n Load Tactical’s Heroes of Normandy: The Untold Stories, Volume 1. I wrote three of the tales in the collection and edited the others, along with some serious help from technical editor Hans Korting. It’s not QUITE available for release yet, but you can listen to an audio of the first few minutes of the first tale in the collection, “The Stovepipe Bluff,” written by yours truly, by going here.
The stories in the collection are all fiction, though they’re based around actual events in WWII, and they feature characters depicted upon counters in the Lock ‘n Load Tactical game series.
I’ll have further updates as the book gets closer to release. Here’s a link to the future ordering page…
Also, issue 2 has already headed to layout, and we’re now finalizing ads. How’s THAT for some sword-and-sorcery service?
This is just the first step. Soon there will be multiple issues of the skull available for enjoyment.
If you missed the Kickstarter, it’s not too late to pre-order an issue.
It was a late night last night, getting my revision ready for final turnover. Or, at least, hopefully final turnover. The morning that followed was delightful and promising but should remain mysterious for now.
So since I have nothing new to say, here’s one of Lamb’s very best stories, Durandal, as published by Doubleday back in 1931. That’s my personal copy. I very seldom see copies with dust jackets.
Durandal was originally published as three separate novellas, two of which were reprinted by Donald M. Grant Co. in the 1980s. They were planning to finally reprint the third, and I actually supplied them with its text, but nothing ever happened.
I intend to try, before the end of the month, a final time to get the complete collection printed by Bison Books/University of Nebraska Press. It’s criminal that this historical swashbuckler remains out of print. The problem is that Bison seems to have moved away from it’s historical prints. I’m going to give it my best shot, though. Keep your fingers crossed. And have a great weekend!
Word has arrived via camel caravan that the complete collection of Howard Browne’s stories featuring hardboiled detective Paul Pine are going to be in print, soonish, from Haffner Press.
I actually pre-ordered this collection several years back, because Browne’s writing is sublime. He sounds a heckuva lot like Chandler, and as a bonus his novel plots don’t wander as much as Chandler’s do. The fourth and final Paul Pine novel, The Taste of Ashes, is a masterpiece that stacks up well against Chandler’s finest.
In other words, I’m really looking forward to the volume, especially because it contains one of the novels I’ve never been able to find, as well as some fragments.
The art chosen for the cover is certainly evocative and professional, but it looks a little more like it’s from a lighthearted ’80s TV series than the rather somber adventures Paul Pine experiences. Perhaps that cover will help attract new readers, though, and they’ll stay for the prose.
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